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Julia Kristeva has been both attracted and repelled by Dostoyevsky since her youth. In this extraordinary book, by turns poetic and intensely personal, she brings her unique critical sensibility to bear on the tormented and visionary Russian author.

Julia Kristeva has been both attracted and repelled by Dostoyevsky since her youth. In this extraordinary book, by turns poetic and intensely personal, she brings her unique critical sensibility to bear on the tormented and visionary Russian author.

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Dividing her essays into worlds, women, psychoanalysis, religion, portraits, and writing, Julia Kristeva explores the phenomenon of hate (and our attempts to subvert, sublimate, and otherwise process the emotion) through a number of key texts and contexts. Her inquiry spans the themes, topics, and figures that have been central to her writing over the past three decades, and her paths of discovery advance the theoretical innovations that are s...

This book is concerned with the notion of the stranger¿the foreigner, outsider, or alien in a country and society not their own¿as well as the notion of strangeness within the self, a person¿s deep sense of being, as distinct from outside appearance and their conscious idea of self.

Julia Kristeva explicates her foundational distinction between the semiotic and the symbolic and explores their interrelationships. Linking the psychosomatic to the literary and the literary to a larger political horizon, she questions the premises of linguistic, psychoanalytic, philosophical, and literary theories.

Julia Kristeva offers an extensive and profound consideration of the nature of abjection. Drawing on Freud and Lacan, she analyzes the nature of attitudes toward repulsive subjects and examines the function of these topics in the writings of Celine, Proust, Joyce, and other authors.

Desire in Language traces the path of an investigation into the semiotics of literature and the arts. Julia Kristeva proposes and tests theories centered on the nature and development of the novel.

Julia Kristeva addresses the subject of melancholia, examining this phenomenon in the context of art, literature, philosophy, the history of religion and culture, and psychoanalysis.

Hala bir ruhumuz var mi Cagimizda bu mümkün mü Eger varsa, nerede konumlanir Beyinde mi, kalpte mi, beden sivilarinda mi Ruh nedir Konusan varligin diger konusan varliklarla bagi ve bir anlam yapisi midir Peki, cagimiz anlam yapilarini yok eden bir cag ise, ruhumuza ne olmustur Kristeva bu sorularin, modern varliklar olarak icinde bulundugumuz cagin temel sorulari oldugunu ileri sürüyor, üstelik ikna gücü de oldukca yüksek. Modern insan günlük...

Julia Kristeva embarks on a wide-ranging and stimulating inquiry into Dostoyevsky's work and the profound ways it has influenced her own thinking. Reading across his major novels and shorter works, Kristeva offers incandescent insights into the potent themes that draw her back to the Russian master.

Während Freud den Ödipuskomplex und die Rolle des Vaters ins Zentrum des psychischen Lebens rückte, entdeckte Melanie Klein als Mutter-Psychoanalytikerin die »Mutter« inmitten des seelischen Lebens des Subjekts. Damit gelang ihr die Vertiefung der Psychoanalyse, die die Psychose, die Objektbeziehungen und das Verstehen »vorsprachlicher« Mitteilungen nicht nur in der Kinderanalyse betraf. Julia Kristeva erzählt anschaulich und ausführlich Melan...

Julia Kristeva ist auch im deutschsprachigen Raum durch eine Vielzahl von Publikationen als Literaturtheoretikerin und Psychoananlytikerin bekannt. Wenn sie sich der jüdischen, politischen Philosophin Hannah Arendt widmet, dann birgt schon diese Konstellation von Autorin und Sujet eine gewisse Spannung in sich, die dadurch zusätzlichen Reiz gewinnt, daß sie Leben und Denken der Philosophin unter die Maßgabe dessen stellt, was sie als weibliche...

Kristeva explores the philosophical aspects of Hannah Arendt's work: her understanding of such concepts as language, self, body, political space, and life.

In the Palace of Versailles there is a fabulous golden clock, made for Louis XV by the king's engineer, Claude-Simaeon Passemant. Passemant's clock brings the nature of time into sharp focus in Kristeva's intricate, poetic novel.

»Als Psychoanalytiker weiß man, daß alle Geschichten letztlich von Liebe reden. Die Klage jener, die in meiner Gegenwart stammelnd erzählen, rührt stets von einem Mangel an Liebe. Unsere Gesellschaft verfügt über keinen Liebeskode mehr. Die großen künstlerischen Werke reden von nichts anderem als dem, was, Tag für Tag, im stillen laut wird.«Julia Kristeva (geboren 1941) ist Psychoanalytikerin und Literaturtheoretikerin. Mit ihren Schriften im ...